In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

Audreys Foggin's drab existence changes when she meets Barry. A cautionary tale about seeing life through rose coloured glasses.

Jonathan and Anaïs Hopkins have only been married a few months, but life together is a nightmare. Anaïs is unstable, cold in bed and often away visiting her sister. Or is she? When Jonathan learns that his estranged father has left him a huge fortune, all he needs is a divorce.

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一个男人和他最近在一片田野里结识的另一个男人一起在树林里漫步。

Erica Rhodes brings her confessional comedy style to the legendary Rose Bowl for her very first special, La Vie en Rhodes. With topics like non-motivational quotes, emoji etiquette, political correctness, bad grammar, and narcissistic exes, Erica highlights the absurd in all of life’s struggles.

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This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.